Pretty Purdie - Soul Drums

http://www.bernardpurdie.com





Origine du Groupe : North America

Style : Soul Funk , Instrumental

Sortie : 1967 - 1968



From Wikipedia :



At an early age Purdie began hitting cans with sticks and learned the elements of drumming techniques from overhearing lessons being given by Leonard Heywood. He later took lessons from Heywood
and played in Heywood's big band. Purdie's other influences at that time were Papa Jo Jones, Buddy Rich, Gene Krupa, Joe Marshall and Art Blakey.



In 1961 he moved from his home town of Elkton, Maryland, to New York. There he played sessions with Mickey and Sylvia and regularly visited the Turf Club on 50th and Broadway, where musicians,
agents, and promoters met and touted for business. It was during this period that he played for the saxophonist Buddy Lucas, who nicknamed him 'Mississippi Bigfoot'. Eventually Barney Richmond
contracted him to play session work. In the same year original Beatles drummer Pete Best and guitarist Tony Sheridan recorded tracks in Hamburg with the Beatles. Later Bernard Purdie added drum
overdubs to tracks from these sessions,including "Ain't She Sweet", "Take Out Some Insurance on Me Baby" and "Sweet Georgia Brown". The main reason for this was to give them a punchier sound for
the US market. These tracks were eventually released on January 31, 1964 by Polydor. Ringo Starr's physical approach to drumming was probably influenced by Purdie's Motown style.



Purdie was contracted by arranger Sammy Lowe to play a session with James Brown in 1965 and recording session records also show that Purdie played on "Ain't That A Groove" at the same session.
This was one of several sessions he played with Brown and the track "Kansas City" from Brown's album Cold Sweat (1967), displays one of the most sophisticated and driving shuffles recorded for
Brown's catalogue. Purdie is also credited on the albums Say It Loud-I'm Black and I'm Proud (1969) and Get on the Good Foot (1972) on which "Ain't That A Groove" appeared.



Purdie started working with Aretha Franklin as musical director in 1970 and held that position for five years, as well as drumming for Franklin's opening act, King Curtis and The King Pins. In
1970 he performed with both bands at the Fillmore West; the resulting live recordings were released as Aretha Live at the Fillmore West (1971) and King Curtis's Live at Fillmore West (1971). His
best known track with Franklin was "Rock Steady", on which he played what he described as "a funky and low down beat". Of his time with Franklin he once commented that "backing her was like
floating in seventh heaven".





Tracklist :

1. Soul Drums

2. Bee 'N' Tee

3. Caravan

4. Soul Bossa Nova

5. Jimmy's Back

6. Funky Donkey

7. Bill's Groove

8. On The Outskirts Of Minitown

9. Testifyin'

10. Modern Jive

11. Blow Your Lid (But Watch Your Cool)

 

Sharon Jones and The Dap Kings - Soul Time

http://www.sharonjonesandthedapkings.com

http://www.myspace.com/sharonjonesandthedapkings





Origine du Groupe : North America

Style : Soul Funk

Sortie : 2011



By Daryl Easlea from http://www.bbc.co.uk



Few acts have created their own universe as successfully as Brooklyn-based Sharon Jones and the Dap-Kings. Forming in 1996, the band’s quest to create bona-fide funk-soul has long outlived their
original critics’ view that the 10-piece band was merely some form of extended pastiche. Using only original instruments from the 60s and 70s and recording in glorious analogue, they eschew any
post-modern references and create full-on, joyous grooves which achieve their aim of sounding like they were dug up in some dusty old vinyl shop.



Having cemented their reputation in the UK as being Mark Ronson’s house band and featuring strongly on Amy Winehouse’s Back to Black album, their albums have never quite captured their full force
as a live act. Soul Time!, a compilation of singles, B sides and live favourites of the past decade comes pretty close though, and serves as a perfect introduction to the band. Showcasing
bandleader Bosco Mann’s soulful writing, Soul Time! scores with its note-perfect emotion and keening brass arrangements.



Genuine (Parts 1 and 2), a single in 2004, opens here, complete with its fade and return; it sounds like something from James Brown’s People label, and sets the album’s relentless, upbeat tone.
New Shoes, written by guitarist Binky Griptite, is a pounding northern soul-influenced stomper. The 2009 Christmas single, Ain’t No Chimneys in the Projects, is the most successful track here and
underlines their formula perfectly – taking a beguiling title and subject matter (how a little girl receives Christmas presents in a chimney-less flat) with sensitive, nostalgic arrangements.
Co-writer Jones, of course, is the star, and sings of her mother, soulfully conveying her emotion and strength.



The Dap-Kings have also recorded cover versions sparingly (remember their version of Janet Jackson’s What Have You Done for Me Lately?) – and were therefore able to dodge carefully the Live
Lounge-inspired tribute craze of the mid-00s. The lone cover on Soul Time! is a beautiful, tender reading of Shuggie Otis’ Inspiration Information that fills out the sketchiness of the original
without losing any of its tentative, fragile wonder.



There is nothing modern about Soul Time!, yet it sounds both refreshing and contemporary. The exceptional musicianship and impeccable vocals may not be to everyone’s taste, but for 40 very happy
minutes, you can revel in SJDK’s very discrete world.





Tracklist :

01. Genuine Pt. 1 (3:58)

02. Genuine Pt. 2 (3:04)

03. Longer and Stronger (3:43)

04. He Said I Can (2:52)

05. I'm Not Gonna Cry (3:24)

06. When I Come Home (2:54)

07. What If We All Stopped Paying Taxes? (4:41)

08. Settling In (2:48)

09. Ain't No Chimneys In The Projects (2:21)

10. New Shoes (2:18)

11. Without A Trace (3:51)

12. Inspiration Information (4:08)

 

Ugress - Luftslott

http://ugress.com

http://www.myspace.com/ugress





Origine du Groupe : Norway

Style : Abstract Electro , Abstract Hip Hop , Experimental , Ambient

Sortie : 2011



From Official Site :



With title track Luftslott released a minute ago, Episode 4 of Planet U is complete.



You can download the whole EP in any format you want, and pay what you want, from my Bandcamp store.



If you haven't already, catch up on episode one Planetfall, episode two The Lost Ruins and episode three Wulfhoken Spaceport Affairs.  



There are production and compositional notes for all tracks, just follow the Planet U tag.





Tracklist :

01 – Luftslott

02 – Tortoise Locomotive

03 – The Doctor

04 – Undead Funeral March

05 – Hollow Wings

06 – Remote Control Labyrinth

 BUY NOW NAME YOUR PRICE

Popa Chubby - Back to New York City

http://www.popachubby.com

http://www.myspace.com/popachubbyband





Origine du Groupe : North America

Style : Blues Rock , Alternative Rock

Sortie : 2011



From http://www.amazon.com



Popa Chubby is back with a brand new CD. This followup to 'The Fight Is On' is Popa's first North American release

with Mascot/Provogue label. The 10 song offering recorded and produced by Popa with help from engineer V.D.

King at Popa's own Serpentine Studio in the scenic Hudson Valley New York is a power packed and emotional

Rock/Blues romp that hits from front to back. Featuring Popa's signature searing guitar licks coupled with the power house rhythm section of A.J. Pappas (Bass) and Dan Hickey (Drums) Popa comes
forth with his greatest work to date.

From the Hendrix inflected wailings of 'Back To new York City', to the Stevie Ray on steroids Texas boogie of 'She

Loves Everybody But Me', to the broken hearted dirge of 'Pound Of Flesh' to the classical melodic strains of urban

woe in 'A Love That Will Not Die' Popa does not let up.





Tracklist :

01. Back To New York City (4:38)

02. She Loves Everybody But Me (4:26)

03. Pound Of Flesh (6:27)

04. Warrior God (5:09)

05. The Future (7:27)

06. It's About You (4:48)

07. A Love That Will Not Die (4:30)

08. Keep Your Wood Pile Dry (4:46)

09. Stand Before The Sun (6:02)

10. She Made Me Beg For It (5:43)

11. Jesus Joy Of Man Desire (3:40)



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Popa Chubby - Pound of Flesh (session... par nesposit

Mikromusic - Sennik

http://www.mikromusic.pl

http://www.myspace.com/mikromusic





Origine du Groupe : Poland

Style : Acid Jazz , Jazz , Electro Jazz , Alternative

Sortie : 2008



From Official Site :



Mikromusic is one of the most interesting groups to recently emerge on the Polish music scene. ey create an earthy fusion of acid-jazz and indie-pop delivered through the bright, angelic vocals
of Natalia Grosiak.

Mixed together with subtle hints of trip-hop and Jazz, this mélange of styles has forged a truly distinctive sound which puts the group in a league of their own. e enigmatic voice of Natalia
Grosiak together with the incredibly talented mikromusicians has allowed the group to gain wider recognition year after year.

Mikromusic have released three albums to date. eir debut album 'Mikromusic' featured guest appearances including, Leszek Mozdzer, the world-renowned Jazz pianist.



In late 2008, the much awaited second album 'Sennik' was released. e title, which means 'dream' re    ects the repetition of words woven into the theme of sleeping. e music draws
on eclectic sources, including Jazz, Trip-hop, Funk, Bossa Nova and even Folk Music. is is blended with the poetic, womanly lyrics

of Natalia Grosiak.





Tracklist :

1 Słonecznik

2 Sennik

3 Zasypiam

4 Bo Mi

5 W Źrenicach

6 Cisza Przed Burzą

7 Burzowa

8 Pociąg Do Domu

9 Nie Będę

10 Kardamon I Pieprz

11 Świat Oddala Się Od Ciebie

12 Kołysanka Karolinki

13 Thank God I'm A Woman (Bonus)

 

Emilie Simon - Franky Knight

http://emiliesimonmusic.com

http://www.myspace.com/emiliesimonmusic





Origine du Groupe : France

Style : Alternative , French Touch

Sortie : 2011



By Kevin Laforest from http://hour.ca



"I wrote some songs they’re all for you/ There’s nothing else that I can do/ Too late to pray too soon to see/ Your eyes again my sweet Franky." Written, composed, arranged and produced by Emilie
Simon, this fifth studio album is a deeply personal work of art inspired by the untimely death of her fiancé, sound engineer François Chevallier (a.k.a. Franky Knight). Simon’s voice, which
oscillates somewhere between Kate Bush and Tori Amos, has never sounded so heartbreakingly beautiful as on these songs of grief and sorrow, enveloped as it is by exquisite layers of keys,
percussions, brass, winds and electronics.





Tracklist :

01 – Mon Chevalier

02 – I Call It Love

03 – Holy Pool Of Memories

04 – Something More

05 – Bel Amour

06 – Franky’s Princess

07 – Sous Les Etoiles

08 – Les Amants Du Meme Jour [Instrumental]

09 – Walking With You

10 – Jetaimejetaimejetaime

11 – Walking With You

12 – Mon Chevalier

 

Brzowski - A Fitful Sleep

http://www.myspace.com/brzowski





Origine du Groupe : North America

Style : Hip Hop

Sortie : 2011



From http://www.milledpavement.com



After 10 years of scene-building in Portland,ME as an mc, promoter, and banner-guard for Milled Pavement Records, 5 years of touring throughout 5 countries (most recently France, Germany, and
Switzerland this past April/May with Milled Pavement CEO Moshe), over 600 performances, 2 mixtapes, 2 ep's, 1 7" single, countless featured appearances, and performing live with a venerable
who's-who of independent hip-hop, Portland's own BRZOWSKI returns with his sophomore solo release. "A Fitful Sleep" finds our narrator moving away from the thick veil of funereal affectations of
his debut, and now speaks from a soapbox steeped in the culture of independent artistry and on top of a widely broadened palette of production sounds (most notably the coloring of early
Sabbath-style faux-psychedelia), even if the punk/ metal/ gothic/ outlaw aesthetics remain on the skin. This album begins at the touchstone of hip-hop, and then musically enacts a swift
departure. Doomy rock guitar/live instrumentation, Rapped/sung/screamed vocals, traditional sampling, ominous synths, and electronic drums all vie for elbow room in this carefully constructed
Frankenstein of an album. Think Black Widow mugging an early 2000's art-rap DJ outside a divebar on the edge of town.



No Rest for the Wicked





Tracklist :

01. Own

02. Friendly Fire

03. The Tourist

04. Easy Angel of Spruce St.

05. Travelogos

(feat. Todd Richard & Leif Sherman Curtis)

06. Nosebleed Seats

07. Covenant (feat. Awol One)

08. 2 Months of Houdini

09. Queen of October

10. I'm the Atlantic

11. The Birding

12. Staring at the Towel

 

Mirel Wagner - Mirel Wagner

http://www.myspace.com/mirelwagner





Origine du Groupe : Ethiopia , Finland

Style : Folk , Blues

Sortie : 2011



From http://www.bonevoyagerecordings.com



Mirel Wagner is a 23 year old singer/songwriter, born in Ethiopia and raised

in Espoo, Finland.  Since age 16 she's writing gloomy Blues and Folk songs,

stripped down to the bone. It's just about her airy but rough voice and a

minimalistic guitar picking. Avoiding theatralic gestures effortlessly her

music has a unique intensity and emotional weight.



"...Townes Van Zandt once said that there are two types of music. 'The blues and zip-a-dee-doo-dah'. This falls into the blues category and a graveyard full of black metal guitarists couldn’t
create anything half as heavy and raw as Mirel Wagner’s self-titled debut album. ...In overall, this rugged, sad & beautiful blues/folk album is simply amazing. It is able to travel into such
deep and muddy waters that sometimes I can just barely see the surface, but I’m still fairly confident that these songs are more likely to heal me than drown me." (One Chord to Another)



"...Mirel Wagner is the real deal, an innovator among imitators. In a genre ridden with cliches she cuts through with the sheer the power of her lyrics and intricately fingerpicked guitar. And
that voice.When I first heard her perform at an open mic night in Helsinki a few years back, it was THAT voice that blew me away. Deep and dark, it is the antithesis of how a young woman in her
early twenties should sound. It has those world-weary and resigned tones that make Billie Holiday and Leonard Cohen so appealing. It sounds like the truth...." (Jean Ramsay/Rumba)



".. In her words and her sound you can see a landscape lit by full-moonlight, fog swirling about like ghosts dancing a slow waltz, stately old trees hanging heavy with Spanish moss. You sense an
eerie otherworldliness in the atmosphere she weaves, and you can't tear your ears away from that voice and that melody.



She has created something that you rarely or never hear these days. On the banks of the Mississippi Delta in the 1920s it might have been common. But the thing is, Mirel Wagner is here now, in
the second decade of the 2000s, and she's from Finland." (Spydersden)



"...really beautiful recordings and songs..." (Steve Shelley of Sonic Youth on Vampire Blues)





Tracklist :

01. To The Bone

02. The Well

03. No Death

04. No Hands

05. Red

06. Despair

07. Joe

08. Dream

09. The Road

Melingo - Soirée de Poche (Full Live Concert)

http://www.danielmelingo.com

http://www.myspace.com/melingo





Origine du Groupe : Argentina

Style : Tango

Sortie : 2011



Pour http://liveweb.arte.tv



http://www.blogotheque.net



Certaines personnes semblent avoir vécu plusieurs vies, tant celles-ci paraissent remplies. Pourtant en prenant de la distance, tout entre dans l’ordre. Tous les éléments prennent du sens, une
fois le tableau recomposé. Daniel Melingo est de ces personnes. De son apprentissage érudit de la musique à sa fuite de la dictature militaire argentine, de ses premières armes forgées au coté de
Milton Nascimento au Brésil à son retour au pays pour intégrer la résistance artistique au sein du milieu du rock contestataire. De son activisme au cœur de la scène punk de l’Espagne de la
Movida à son retour au Tango et à sa carrière d’animateur télé.



Le tango de Melingo, ce n’est pas celui de ces clichés un peu macho à l’esthétique kitsch. Le tango de Melingo, est chanté en « lunfardo », l’argot des rues de Buenos Aires. Parce que le Tango de
Melingo, c’est le tango originel des quartiers pauvres, celui qui est né entre un cloaque et un bar clandestin. C’est un genre populaire et cru, hâbleur, arrogant, goguenard et sincère.





• Artistes : Daniel Melingo, Rodrigo Guerra, Diego Trosman, Facundo Torres, Romain Lecuyer • Réalisateur : Benoit Toulemonde • Cadreurs : Thomas Lallier, Colin Solal Cardo, David
Ctiborski, Leslie Lagier, Ernesto Giolitti, Sam Guillemot • Son : Jean Baptiste Aubonnet, François Clos, Etienne Pozzo • Production : © Stances / La blogothèque

Lulu Rouge - Bless You

http://www.lulurouge.com

http://www.myspace.com/lulurougesoundsystem





Origine du Groupe : Danemark

Style : Electro Dub , Downtempo , Electronic

Sortie : 2008



From http://segmento.blogspot.com



New electronic sounds from Denmarks finest! and a Trentemoller´s project!



The DJ duo that Trentemøller calls "the next big thing to come out of Denmark" has been getting a ton of love from the Danish press (including five 5-star reviews) and beyond, and now Bless You
is finally available at all digital retailers, with a handful of remixes to follow. Grab a copy of Bless You at Amazon.com



Lulu Rouge is comprised of DJ T.O.M. (Trentemøller’s touring partner and right-hand for the last three years) and Buda, a well-respected DJ and producer on the Copenhagen scene. Debut single
“lBess You" features vocals by seven-time Danish Music Awards nominee Mikael Simpson.





Tracklist :

01 - Melankoli (Feat. Alice Carreri Pardeilhan)

02 - Lulu's Theme

03 - Bless You (Feat. Mikael Simpson)

04 - Ninna Nanna (Feat. Alice Carreri Pardeilhan)

05 - Thinking Of You (Feat. Tuco)

06 - Runaway Boy (Feat. Alice Carreri Pardeilhan)

07 - Sweeter Than Sweet (Feat. Alice Carreri Pardeilhan)

08 - Pitch Black

09 - End Of The Century (Feat. MC Jabber)

10 - Slow Pigeon

 

Keller Williams - Bass

http://kellerwilliams.net

http://www.myspace.com/kellerwilliams





Origine du Groupe : North America

Style : Reggae , Alternative , Reggae Jazz , Neo Roots

Sortie : 2011



By Tim Hurley from http://www.honesttune.com



Multi-faceted artist Keller Williams releases his 17th album this month, and it stays true to his one-name-album formula, this time with the appropriately titled Bass. Keller takes the reigns as
primary vocalist and bass player, and is backed by his touring reggae-funk band Kdubalicious, consisting of Jay Starling on keyboards and Mark D on drums (fellow Virginians who have worked with
Keller before as members of the reggae-tinged Transmitters). Williams may be primarily known as a guitar player, but he proves here that he is no slouch on the bass either.



His playful songwriting method and signature vocals are not much different from his previous 16 releases; however this project leans more toward jazz and reggae versus the roots, bluegrass, and
jam of most his other albums, and it benefits greatly by having accompanying musicians rather than his usual one-man-band projects.  Although this is not his first foray into leading a band
as he has done so before on previous installments such as Keller and the Keels, Keller Williams and the WMDs, The Keller Williams Incident, etc., it still marks a progression for his
ever-changing craft.



If any folks have been hesitant about getting into Keller’s music, Bass may just win them over with its accessibility and effortless flow. The airy jazz grooves heard on the excellent “The Sun
and The Moon’s Vagenda” – highlighted by Starling’s melodic piano and Mark D’s rhythmic drumming – as well as the upbeat, breezy reggae of “Positive” are smooth and extremely ear-pleasing.



His lyrical wit is strong as usual, displayed on the catchy funk number “Hey Ho Jorge” (I like my funk well-done, never rare … I eat the funk), the pop-reggae tune “Super Hot” where he rants
about the “hot chicks in the front row”, as well as the hilarious “I Am Elvis” (I like to snowboard naked in the morning, jump out of a helicopter and freeze my behind).



But aside from all the humorous lyrics and positive vibes, some of the best moments on this album happen when the trio shakes free from the anchor and jam, seemingly swimming together through
relaxing chords shown on such songs as the soft reggae tune “High” and the jazz-fusion track ”Buena”.



This album may not represent Keller’s strongest work (look to 2007′s Dream for that), but there is a certain wonderful chillness to it all. And you have to appreciate Keller’s choice to
continuously try new projects with varying styles and players. His first 10 or so studio recordings were just him and looping machines, which were becoming a bit redundant and tiresome. Over the
course of his last five albums he has gone in a different direction each time, which is welcome. He performs better as a band leader than a solo artist, this much is sure, and having the talents
of Jay Starling and Mark D along for this ride works brilliantly.



Bass is out now on SCI Fidelity.





Tracklist :

1. The Sun & Moon's Vagenda

2. 2bu

3. Hey Ho Jorge

4. I Am Elvis

5. Hollywood Freaks

6. Thinking Out Loud

7. High

8. Buena

9. Super Hot

10. Hobo Jungle

11. Positive

 

Gorillaz - The Singles Collection 2001-2011

http://gorillaz.com/weare10

http://gorillaz.com

http://www.myspace.com/gorillaz





Origine du Groupe : U.K , V.A

Style : Compilation , Alternative Fusion , Hip Hop , Electro

Sortie : 2001-2011 (2011)



By Wyndham Wallace from http://www.bbc.co.uk/music/reviews/pdhf



Think of Blur’s Damon Albarn and one thinks of Britpop, which is rather unfair, given that he’s spent the last 15 years working on projects associated with Mali (Mali Music), Iceland (the 101
Reykjavik soundtrack), China (Monkey: Journey To The West), the Democratic Republic Of Congo (Kinshasa One Two) and more. But while his former rival Liam Gallagher reduced himself to a comic
parody, Albarn found inspiration in comic art, teaming up with Tank Girl creator Jamie Hewlett to form the ‘animated pop group’, Gorillaz, in 1998. This summary of their career proves they were
no joke.



Perhaps the most striking thing about the music on offer here is how stripped down it is. The influence of dub and hip hop looms large, especially on tracks featured from their first two albums,
their self-titled debut of 2001 and its 2005 follow-up, Demon Days. These see simple instrumentation bedded down over programmed drumbeats that sounded nostalgic even at the time of release.
(Once upon a time they’d even have been described as ‘baggy’.) But Albarn’s alter ego seems to allow him to shake off concepts of indie credibility that he may otherwise have clung to, aiming
instead for the pop jugular with the simple melodies of Feel Good Inc and Clint Eastwood, whose loping gait does nothing to diminish that chorus: "I’ve got sunshine in a bag", a sly reference to
the actor’s classic The Good, the Bad and the Ugly (also the inspiration for the name of another Albarn side project, The Good, the Bad & the Queen).



Eastwood’s there again on the brilliant Dirty Harry, another shuffling beat underpinning an uplifting children’s choir until Bootie Brown takes the mike. Albarn’s social conscience is also in
evidence here, the kids singing "I need a gun to keep myself from harm", an idea echoed (obviously) in Kids With Guns. 2010’s Plastic Beach birthed four further singles, but they made less of an
impact, despite the fact that they see Albarn pursue a more commercially pop route: Superfast Jellyfish demonstrates an attractive lightness of touch, while On Melancholy Hill reflects its name
perfectly, Albarn sounding glum over a candyfloss minor-key pop classic that deserved to peak far higher than 78 in the British charts.



Sadly there’s nothing here from their iPad album, The Fall, and instead we’re given the sped-up, somewhat disorientating Ed Case/Sweet Irie version of Clint Eastwood. But that fails to distract
from the fact that Albarn has, against the odds, proven himself to be one of the most inventive of the UK’s high-profile musicians over the past two decades. Admire the riches this national
treasure has bestowed upon us. There’s plenty to smile about, though Gorillaz remain no laughing matter.





Tracklist :

1.      Tomorrow Comes Today

2.      Clint Eastwood (Original)

3.      19-2000 (Original)

4.      Rock The House

5.      Feel Good Inc

6.      DARE

7.      Dirty Harry

8.      Kids With Guns

9.      El Manana

10.     Stylo

11.     Superfast Jellyfish

12.     On Melancholy Hill

13.     Doncamatic

14.     Clint Eastwood (Ed Case & Sweetie Irie Refix)

15.     19-2000 (Soulchild Remix)



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Volfoniq - Ernest

VOLFONIQ : Ernest (2011 Album) by Volfoniq

 

http://www.volfoniq.com

http://www.lclweb.org





Origine du Groupe : France

Style : Electro Dub , Reggae , Ragga , Dub

Sortie : 2011



Pour http://www.lclweb.org



" Ernest est le premier "vrai" album de Volfoniq. Après 7 années passées à voyager, rencontrer et échanger, produire des maxis et des remixes, le musicien pose sa fameuse casquette pour partager
avec vous 11 morceaux inspirés par ses expériences. "

LCL - novembre 2011



" Cet album est dédié à Ernest, qui m'a enseigné l'art du voyage par la pensée, et comment voir sans utiliser mes yeux.

Ernest a visité de nombreux pays sans se déplacer, découvert des cultures différentes, partagé son savoir et appris avec humilité.

Je me suis efforcé de suivre ses pas et j'ai réuni des fragments de mes expéditions, compilés dans ce carnet de voyage qui porte son nom... "

VOLFONIQ - novembre 2011 

CREDITS


+ Music : Volfoniq & many guests

+ Mastering : mildtape

+ Pochette : Mg
PLEASE CHECK ALBUM CREDITS HERE

Tracklist :

01 - Bonjour

02 - Autobahn Garten  (feat. Tribuman)

03 - Taiwan Massala  (Volfoniq meet KouChouChing and Jambassa)

04 - Magnesium  (feat. Tribuman, Control Tower and Benjamin Leska)

05 - Hypnos  (feat. Jean-Paul Sartre)

06 - Libre Comme Dub  (feat. mildtape & Ebsa)

07 - Two step A dub  (Volfoniq meet Hotdrop)

08 - Balkan Banghra

09 - L'amour est enfant dub  (Volfoniq meet Control Tower)

10 - Memori  (feat. Benjamin Leska)

11 - Au revoir

FREE DOWNLOAD

FROM NETLABEL

Dale Cooper Quartet & The Dictaphones - Metamanoir

http://denovali.com/dalecooper

http://www.myspace.com/dalecooperquartet





Origine du Groupe : France

Style : Dark Jazz , Downbeat , Electronic Ambient

Sortie : 2011



From http://denovali.com



The bizarre Dark Jazz cabaret has opened again. Finally, after years of waiting, the 2nd full length of the sophisticated experimental collective from France will be released. It features vocals
of Gaëlle Kerrien (YANN TIERSEN) and all lovers of DAVID LYNCH movies, artists like KILIMANJARO DARKJAZZ ENSEMBLE or BOHREN UND DER CLUB OF GORE and blue cigarette smoke in dark bars will exult
again.



Métamanoir sees the band shift from their smooth, minimal and instrumental landscapes on the debut record Parole De Navarre to a more lively and rich sound. Always based upon improvisation and
sound research, the solo parts of their music are now embodied by vocals.



The Quartet invited several musicians and singers to record, giving a phantomatic sound with oboe, clarinet, whitewashed drones popping out of the songs. The sheer chants of Zalie Bellacicco –
who appeared on the debut album - the deep tone of Ronan Mac Erlaine and the crystal-clear voice of Gaëlle Kerrien (Yann Tiersen's singer on his last Mute album) interlaces with the still dark
jazz of the band.



Always influenced by classic 50s cool jazz and the more contemporary noise and experimental styles, the Quartet and his guests built a dreamy card castle who swing and grow deeply rooted in
fierce strangeness of David Lynch movies.



Métamanoir has been recorded in their native Britanny country, deep west of France, a land swept by climatic inconstancy fed by wind, rain and mystery. A place which gives the music an
overwhelming but beautiful darkness.





Tracklist :

01 Une Petit Cellier

02 Eux Exquis Acrostole

03 Ma Insaisissable Abri

04 Sa Prodigieux Hermitage

05 Le Implacable Gentilhommière

06 Elle Agréable Rendez-Vous de Chasse

07 Mon Tragique Chartreuse

08 La Terrible Palais

09 Il Mélodieux Manoir

 

 

dale cooper quartet & the dictaphones - 10 june 2011, christuskirche bochum - I from thepostrock.de